Without montage or the use of dramatic sequencing, multiple takes or camera angles, Lange's videos rely exclusively on a process of slow observation facilitated by long takes recording the actions of their subjects in real time as they perform daily work. This beautiful monograph covers Lange's earliest sculptural works, his move into video and his Works Studies through to his later Maori Land Project. Texts by Guy Brett, Benjamin H.D. Buchloh, Dan Graham and Mercedes Vicente. Experimental New Zealand artist Darcy Lange had his first solo exhibition at Ikon in 1971.
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