Here is Brunelleschi, who built the ‘unbuildable’ dome of Florence Cathedral; Sinan, a Christian engineer who became chief architect to the Ottoman court; Joseph Paxton, scribbling down a design for the Crystal Palace, London, on a piece of blotting paper; and James Bogardus, an early American evangelist of the opportunities offered by cast-iron architecture.
Rapid advances in industrial production inspired experiments with new materials and techniques, gradually allowing a whole new architecture to emerge: reinforced concrete, plate glass and steel were central to the creations of Le Corbusier, Auguste Perret and Mies van der Rohe, for instance; and, in the High-Tech architecture of the present day – represented by Norman Foster, Frank Gehry and Santiago Calatrava, among others – computer-aided design has seemingly tested the boundaries of the possible.
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