Lally has staked everything on her Manhattan gallery; Pat is a scholarship boy trying to carve out a place in Sydney's antiquities world. When they meet at the Armory Show in New York, their attraction is immediate—an argument about art and politics their foreplay.

Across oceans and careers, each wrestles with the uneasy bargains of ambition and ethics, commerce and creativity. Lally grows rich from being the gatekeeper of talent; Pat can scarcely pay his rent. Both are drawn toward choices that could undo the very lives and careers they are building.

The Work is dazzling, funny and unforgettable: a novel of art and love, power and privilege, and the quiet devastation of wanting more than the world can give.

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