This timely volume, 'Digital Witness', examines the impact of Photoshop and other tools of digital manipulation, tracing simultaneous developments in photography, graphic design and visual effects over roughly five decades. Published in conjunction with the landmark PST ART exhibition at LACMA, this substantial, image-packed volume includes Q&As with noted visual artists, filmmakers and designers such as Copper Frances Giloth, Raqi Syed and April Greiman.Beginning in the 1970s and 1980s, advances in computer science and engineering made it possible to design, build and run raster graphics programs, while developments in graphical user interfaces allowed artists and designers to directly create and edit images. At the same time, these nascent technologies led to concerns about authorship, automation and the viability of the businesses that supported various creative industries. During the 1990s, following the release of Photoshop, image-editing software rose to widespread use in multiple fields. As digitally altered imagery has permeated popular culture, aesthetic and ethical debates have played out in mass media, politics, advertising and even the judicial system.

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