Vasari and other early writers failed to distinguish Bellini’s late works from the rest of his production. Focused on Titian as the quintessential “old age” artist, subsequent writers have also paid little attention to Bellini’s late work as a separate phase of his career. Such studies as there are treat everything he painted after the turn of the century as a whole and in approximation to Giorgione, said by Vasari to have invented the “maniera moderna” in Venice.
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