Project 1975 offers answers to current social and political questions affecting the visual arts: Is the power position of the stereotypical European white male colonizer less strong these days? What did post-colonial theory do for a better understanding of artists from areas such as Surinam? Has the sophisticated art infrastructure of the West been instrumental in abolishing divisions between Western and non-Western art or did it rationalize and maintain these distinctions? Project 1975 approaches these questions from a variety of contributors and perspectives, to open up the discussion and provide suggestions for future approaches.
Project 1975 includes a collection of work from artists and writers addressing the issues, these include short interviews, texts and illustrations. Throughout the book is illustrated by photographs of the works displayed in the Project 1975 exhibitions.
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